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"The perfect sound to Winter"
Halls - I Am Not Who You Want from The Sounds Of Sweet Nothing on Vimeo.
"The perfect sound to Winter"
Halls - I Am Not Who You Want from The Sounds Of Sweet Nothing on Vimeo.
Wild Flag performs 'Nothing' on Sound Opinions from WBEZ on Vimeo.
frank ocean [swim good] from christopher francis ocean on Vimeo.
Zulu Winter - Never Leave from David Higgs on Vimeo.
Dawn Golden & Rosy Cross recently recorded the Crows’ “Colorblind,” a song from 1999′s This Desert Life that was featured prominently in the film Cruel Intentions. So what’s the reason for getting behind the Crows? Is there just not enough Crow love these days?“There really isn’t a good answer for this,” Dawn Golden principle Dexter Tortoriello tells Hive. “When I was a kid I despised that ‘Mr. Jones’ song and really never heard anything else of theirs. ‘Colorblind’ was a track that really surprised me. The lyrics are incredibly poignant, and the composition was simple and pretty.” Tortoriello transforms the rather straight forward rock tune into something haunting while retaining elements of the original melody. “As most of my songs come about, I was sitting in my bedroom playing piano and it just sort of happened,” he says. “I wanted to add an intensity to the song that isn’t really there in the original, which is where the screeching feedback and distorted synthesizers came into play. My main goal is to take the more abrasive elements of music and noise and present them as a means to summon beauty and despair in a way they usually don’t.”
"The PHB are astronauts of progressive soul, moored at the stellar point where rock, funk and psychedelia bloom into cosmic-disco amazingness." (The Guardian)
"the notorious xx began as an idea in my sister’s apartment, where I was trying to figure out what it would sound like hearing juicy over vcr, and since then expanded to include all 11 tracks of the xx’s debut album chopped, sliced, and mashed up with biggie’s vocals."
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“We’re just happy we’re making music that people actually want to listen to."
Alec Koone: “It’s an open ended album, and I think individuals should make their own meaning of it so that it is something actually real to them. It’s not classical music, but in the tradition of a classical work like a Bach Cello Suite, I see it as more of a whole musical piece with themes/motifs/ideas reoccurring throughout, connecting the tracks together as opposed to simply being a collection of songs that sit next to each other in isolation. It’s also an album that should be listened to loudly.”